Alles bewegt sich: der Chor, das Publikum, die Musik. Expressive Kompositionen aus der Romantik, Volkslieder, neuere und ganz neue Chormusik werden im leeren Raum inszeniert. Die Zuh\u00f6rer:innen sind mittendrin, manchmal auch zwischen den S\u00e4ngerinnen. So k\u00f6nnen w\u00e4hrend des Konzerts individuelle Klangerlebnisse entstehen \u2013 ber\u00fchrend und sehr pers\u00f6nlich. Im Zentrum des Programms steht das 2024 f\u00fcr den M\u00e4dchenchor Hannover geschriebene Werk \u201eAmanita preclara\u201c von Martin Smolka, der den Raumklang bereits in seinem St\u00fcck mitbedacht hat und den Chor in drei Teilch\u00f6re unterteilt, die r\u00e4umlich getrennt voneinander singen. <\/p>\n
Mit freundlicher Unterst\u00fctzung der VHV Stiftung.<\/p>\n
Programm:<\/p>\n
Schweizer Volkslied, arr. Susanne W\u00fcrmli-Kollhopp (*1945): Sch\u00f6nster Abest\u00e4rn
\nSalomon Jadassohn (1831-1902): Kein Feuer, keine Kohle
\nDeutsches Volkslied, arr. Siegfried Strohbach (1929-2019): Es geht ein dunkle Wolk
\nRichard Barth (1850-1923): Nebel
\nAnton Urspruch (1850-1907): Im Herbste
\nEva Ugalde (*1973): Kamelia hostoen dizdira
\nJavier Busto (*1949): Amodioa
\nMartin Smolka (*1959): Amanita preclara
\nAmbro\u017e \u010copi (*1973): Sing Joyfully to God Our Strength
\nTine Bec (*1993): Deliver Me, O Lord
\nGion Balzer Casanova (*1938): Consolaziun
\nGion Antoni Derungs (1935-2012): Sut steilas
\nEgil Hovland (1924-2013): Laudate Dominum
\nGy\u00f6rgy Orb\u00e1n (*1947): Mundi renovatio
\nRihards Dubra (*1964): Ave Regina Caelorum II<\/p>","excerpt":"
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